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Tomboy (European Women Writers), by Nina Bouraoui
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How do you live in Algeria when you grow up speaking French, with a French mother? How do you live in France when you’ve spent your childhood in Algeria with an Algerian father? Tomboy is the story of a girl whose father calls her Brio, whose alter ego is Amine, and whose mother is a blue-eyed blond. But who is she? Born five years after Algerian independence in 1967, she navigates the cultural, emotional, and linguistic boundaries of identity living in a world that doesn’t seem to recognize her. In this semiautobiographical novel, the young French Algerian author Nina Bouraoui introduces us to a girl who feels that Algeria is the country of men. Her childhood years spent in Algeria lead her to explore the borderland between genders as she tries to find her balance between nations, races, and identities. With prose modeling the rhythm of the seasons and the sea, Tomboy enters the innermost reality of a life lived on the edge of several cultures.
- Sales Rank: #5589759 in Books
- Published on: 2007-12-01
- Original language: English
- Number of items: 1
- Dimensions: .54" h x 6.02" w x 8.71" l, .60 pounds
- Binding: Hardcover
- 129 pages
From Publishers Weekly
French Algerian novelist Bouraoui explores growing up torn between two identities in this spare, emotionally arduous narrative. The daughter of a blonde, blue-eyed French mother and a well-educated Algerian father, young narrator Nina is deeply conflicted about her identity. She shields herself from the Arab dictates of women's behavior by becoming a tomboy with short hair, a mannish swagger and a boy's nickname; she is devoted to a boy of similar mixed identity named Amine with whom she navigates the violence of newly independent Algeria during the 1970s. The underlying menaces of disenfranchisement and racism torment their childhoods, until the two friends are separated. In the novel's second half, Nina spends summers at her grandparents' house in Rennes, where she must assume a new identity as a French girl while being constantly reminded that she is a foreigner. Bouraoui's quiet and inwardly focused coming-of-age novel delves deeply into intimate questions of self-definition—and ultimately the urge to become a writer. (Dec.)
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Review
"Bouraoui's quiet and inwardly focused coming-of-age novel delves deeply into intimate questions of self-definition—and ultimately the urge to become a writer."—Publishers Weekly (Publishers Weekly 2007-09-24)
“Reminiscent of Marguerite Duras’ The Lover, Bouraoui’s phrasing and pace are bold and naïve at the same time, much like a teenage girl. . . . Translators Marjorie Attignol Salvodon and Jehanne-Marie Gavarini have done a superb job of making Nina’s voice ring authentically high and low, shrill and profound. A beautiful and moving book, Tomboy is entirely worthy of its comparison to Duras.”—ForeWord (Heather Shaw ForeWord)
Praise for the original French Garçon manqué: “Painful, enlightening, fascinating, impossible, yet very real. . . . It is these visceral feelings experienced by almost everyone of double nationality that Nina Bouraoui so masterfully expresses through her highly sensual and incantatory writing. In the beginning of a twenty-first-century world of demographic upheaval, exile, and thousands of children born of mixed race, many can relate to Bouraoui’s struggles; thus the universal appeal of Garçon manqué in spite of its French-Algerian context.”—Melissa Marcus, World Literature Today (Melissa Marcus World Literature Today 2007-04-02)
"Tomboy is a welcome first translation of Bouraoui's work. . . . The translators have made a fine novel fully accessible to readers of English."—Brian Thompson, Women in French Studies (Brian Thompson Women in French Studies)
“Nina Bouraoui is by all accounts one of the most compelling of today’s young French writers. The publication of her best-known work, Tomboy, is timely, as are its themes of French-Algerian biculturalism and trans-gender identity. Salvodon and Gavarini have rendered Bouraoui’s intense, hypnotic and breathless style with admirable skill.”—Isabelle de Courtivron, professor of French studies and director of the Center for Bilingual/Bicultural Studies at MIT (Isabelle de Courtivron 2007-04-27)
About the Author
Nina Bouraoui was born in Rennes, France, to an Algerian father and a French mother. Shortly thereafter, she moved with her family to Algiers, where she lived until the age of thirteen. Bouraoui received the literary prize Prix du Livre Inter in 1991 and the Prix Renaudot in 2005. Marjorie Attignol Salvodon is an assistant professor of French at Suffolk University. Jehanne-Marie Gavarini is an associate professor of art at the University of Massachusetts, Lowell, and a visiting scholar at the Women’s Studies Research Center at Brandeis University.
Most helpful customer reviews
2 of 2 people found the following review helpful.
Astonishing writing
By N. Johnstone
Beautifully written novel about the author's French/ Algerian dualities. The passages about Algeria are luminous, equal to those written about Algeria by Albert Camus.
0 of 0 people found the following review helpful.
A place in-between
By E. Strickenburg
This is a book about in-between-ness. About a young woman searching for her identity and finding that it doesn't fit neatly into any of the categories she sees around her. Nina is the daughter of an Algerian father and a French mother, living in Algeria during a time of rising conflict between Algeria and France, and her identity is being pulled apart at the seams.
Nina's state of being in-between in terms of national and cultural identity is mirrored in her struggle with her sexual identity. The English title "Tomboy" seems too trite of a translation - the French title conveys more of a sense of something in her gender identity being lacking, missing, lost. The fact that the story unfolds in Algeria makes Nina's struggle with her femininity even more poignant - in this context separation from the world of men involves a constriction of so many aspects of life. So her struggle continues: French or Algerian? Male or female? Child or adult?
The language and style of this book are as important - or more so - than the plot itself. The language is forceful, sonorous, repetitive - like waves breaking against the shore. There's hardly any dialogue: it's an internal story, strewn with thought fragments and angst. The language itself takes on such importance that the book almost reads as poetry in prose form. I couldn't call it an enjoyable book, but it's a powerful ode to the displacement and identity confusion that stem from wars like that in Algeria during the 1960s.
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